Available December 18, 2025 Audio 17h, 13m
First, an admission. Due to time and a seeming never ending wind storm and the accompanying power fluctuations, I read/listened to this book at super pace in bits and pieces, usually on the move, and took few notes. Life, as I'm sure McCartney would agree, happens.
In any case, as a long time McCartney fan, while I knew the basics of the story, it was interesting to hear from from the other players in the drama that was Wings. The overall tone of the book is quite positive with few of the uglier moments fully tackled. Since this is Paul's version and he tends to be upbeat and positive in the public, that's hardly surprising. One of the things that did surprise me a bit was hearing Sean Ono-Lennon's frequent, quite positive take on, well, pretty much everything. He did offer a bit of a look behind the scenes at John's take on things and there are also John Lennon quotes offered here and there. Sean offers that the ongoing competition between Lennon and McCartney was good as it pushed both to be creative. Sean also felt they were far more alike than different.
So, my overall impression, while doubting even Paul could possibly be as perpetually upbeat as he comes across, ready to shrug and see each of life's adventures as a positive, was, well, positive. It was interesting to get a fuller picture of the earliest days of Wings as they drove rather aimlessly about, doing gigs without much thought or plan. Can you imagine what it must have been like to have just been having a normal day and all of a sudden a former Beatle appears and wants his fledgling band to play at your university, club, or, well, wherever they could find a spot? Linda's inclusion in the band is covered and she comes across as rather laid-back and positive, too, and seems to have been quite well liked. I knew she wasn't a true musician but the information on her earliest days of playing keyboards was rather interesting, hearing she used colored dots, for instance, to aid her admittedly basic, still learning skills. In other words, lots of little bits of background info that fans may find intriguing.
Production wise, I'm reluctant to comment much due to the way I had to listen "on the run" with the audio speed frequently accelerated. At accelerated pace, some of the narrators (they are multiple, including family members) were hard to understand but even then I got most of it without much need of repetition. Needless to say, it was when I was able to carve our longer stretches of listening that my mind seemed to settle into the faster narrative and tone. My hunch is anyone who listens at the normal pace will be just fine, so don't take this as a negative. This would be a great companion book to the McCartney Legacy volumes which I've also read. My thanks to #RBMedia for the early listen to more of the story of one of my first musical loves. Since I wasn't ready for the interruption of the storms and power flickers, I do plan to go back and have a more leisurely listen to this later.








